In this interactive fiction, a gaming-industry couple are confined together in a near-future, post-pandemic world of Favatars, Syndics, and roving bands of Ferengi thugs. Unlike other Choose-Your-Own-Adventure type stories, the reader navigates the narrative by making grammatical (or meaning-making) choices rather than by choosing different actions. #interactive fiction #elit #pandemic fiction #experimental fiction

"In this podcast, Richard reflects on the changes in learning technologies over the last few decades, particularly at the institutional level. Richard explains the Learning Space Rating System (LSRS) that intends to identify and promote the aspects of learning spaces which enhance the learning experience. Richard offers three principles for developing learning spaces: universal design, flexibility, and inclusion in physical, cognitive and cultural realms."

The Cambodians are on their way to Orlando’s Disney World after a few days in Los Angeles . . . Hawking awaits a flight to Palm Beach, then home to Cambridge . . . Poor Mothers New Orleans (POMO-NO) are on their last legs following a whirlwind tour of their flood-ravaged Ninth Ward homes . . .

"Figurski at Findhorn on Acid" is part of both the Media Art Festival and the Mentoring Exhibition at ELO 2022.

Re-Imagined Radio presents a one-hour radio play episode of my comic hypertext novel, the first ever radio adaptation of a work of electronic literature.

Why did Eva “swoon (desmayó?) & run away” at the motel? June Swoon. You might think this is a baseball phrase, something that every team has to hear when they go on a losing streak in June. I say this is a wild dream—but it is this dream I want to realize. Life and literature combined.